Christine d'Abo who recently sold to Ellora's Cave -- yeah, Christine! -- tagged me for a name game. I've reluctantly agreed to accept the challenge (LOL), even though it means revealing my middle name. Not that I don't like my middle name. It's original. The only other person I know who has it is my mom. Her middle name, too. In fact, I suspect my Grandmother might have made it up. (She claimed it's Welsh.)
Here goes...
1. YOUR REAL NAME:
Maureen McGowan
2. YOUR GANGSTA NAME: (first three letters of your name, plus izzle)
Mauizzle. (Everyone must address me this way from now on. Or else.)
3. YOUR “FLY Guy/Girl” NAME: (first initial of first name, first three of your last)
Mmcg Hmmm... Well, there's a director called McG, right? Not sure how it's pronounced with the extra M.
4. YOUR DETECTIVE NAME: (fav color and fav animal)
Coral Puppy Take that. (Not sure if coral's my favourite colour... but I'm wearing it right now and just LOVED how well it went with puppy.)
5. YOUR SOAP OPERA NAME: (middle name, Street you live on):
Luverna Hurndale I must be the matriarch who's been on the soap since the 50's.
6. YOUR STAR WARS NAME: (the first 3 letters of your last name, first 2 letters of your first name, first 3 letters of mom’s maiden name)
Mcgmadaf Ooooo. I like that, even if it's a little vowel deficient at the start.
7. SUPERHERO NAME: (favorite color, favorite drink)
Coral Martini Not sure if that sounds like a superhero, but I wouldn't be surprised to see it on a menu somewhere.
8. YOUR IRAQI NAME: (2nd letter of your first name, 3rd letter of your last name, any letter of your middle name, 2nd letter of your moms maiden name, 3rd letter of your dad’s middle name, 1st letter of a sibling’s first name, last letter of your moms middle name)
Agawse Doesn't sound Iraqi to me... And not sure I like the idea of making fun of another language anyway.
9. YOUR STRIPPER NAME: (the name of your favorite perfume/cologne/body spray)
Jil Sander #4 Huh? Since when do perfume names make good stripper names. (I guess I do like a boringly named perfume, though.)
10. YOUR WITNESS PROTECTION NAME: (mother & father’s middle name)
Luverna Edward. Yeah, cause that name would help me blend.
Okay, I tag.... Diana Peterfreund, Mel Francis, Margaret Moore
Wednesday, January 31, 2007
Tuesday, January 30, 2007
Playing possum...
Proving once again I am completely lazy and incapable of coming up with an original blog topic, I was inspired tonight by the always funny Eileen Cook, who is blogging on hated foods.
The squirrel warning reminded me of a radio show I once heard. My parents used to own a houseboat in the Ozarks (don't ask) and I went down there a few times. While on the "boat" the radio station choices were limited, but we did get one station loud and clear from Versailles Missouri. (Pronounced Ver Sail's)
Mid morning each day, we tuned into our favourite program -- the call-in recipe show. Always entertaining, one day topped them all. The day a man called in with his roast possum recipe. The "recipe" was basically:
First ya skin it
Then ya rub in yer spices -- rub em in real good
Then ya roast it
Then the announcer made the mistake of asking the caller where one might find a possum. The caller replied, in a tone which made the stupidity of the announcer's question clear, "You go out and shoot you one."
The squirrel warning reminded me of a radio show I once heard. My parents used to own a houseboat in the Ozarks (don't ask) and I went down there a few times. While on the "boat" the radio station choices were limited, but we did get one station loud and clear from Versailles Missouri. (Pronounced Ver Sail's)
Mid morning each day, we tuned into our favourite program -- the call-in recipe show. Always entertaining, one day topped them all. The day a man called in with his roast possum recipe. The "recipe" was basically:
First ya skin it
Then ya rub in yer spices -- rub em in real good
Then ya roast it
Then the announcer made the mistake of asking the caller where one might find a possum. The caller replied, in a tone which made the stupidity of the announcer's question clear, "You go out and shoot you one."
Tuesday, January 23, 2007
Oscars -- Writing and Acting Etc.
Just a few more comments about the Oscar nominations--because I can't stop myself.
First, in the best foreign language film category, I would be remiss as a Canadian (and an avid movie-goer) if I didn't mention the film Water, by Deepa Mehta.
Ms. Mehta had a lot of trouble making this film. She was kicked out of India (where it was filmed) more than once, I think, and picketed a number of times because of its controversial subject -- the treatment of widows in the Hindu culture. The movie is set in the 1930's -- which is not that long ago -- and I think this is a film every woman should see. But while its subject is serious and sad, the film isn't all darkness and depression. It really has a lot of hope and humor, too. (and even a little romance.)
I was super annoyed last year at whomever it is in Canada who picks which film to put forward for the Academy Awards. (It's my understanding that each country can make one official entry to this category.) Last year, Canada put forward the French language film, C.R.A.Z.Y -- which didn't get a nomination and I was angry that Water hadn't been put forward in its place. (Don't get me wrong, C.R.A.Z.Y. is a good film, too. I saw both at the 2005 TIFF, but Water is better.) What I didn't understand is that Water wasn't released in the US until 2006, so couldn't be put forward last year. Phew. At least it was put forward, now, and got the nomination it deserves. With the other great films in this category, I doubt Water will win... But at least it's getting some well-deserved recognition.
Because I'm a writer, albeit not a screenwriter, I should also talk a bit about the writing awards. (Always listed at the very bottom of the nominations.... like the writers don't really matter. What's up with that???)
“Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” is up for best adapted screenplay. Huh? I loved this movie, but don't get this nomination, at all. To me, it's like nominating Survivor for best writing at the Emmys. Sasha Baron Cohen is clever... but really, how much of this film was "written" other than his stand up-ish stuff. Doesn't seem right to me.
Of the other films in this category: “Children of Men”, “The Departed”, "Little Children”, “Notes on a Scandal”.... I'd have to go with Little Children. I know I'm not a screenwriter, but I'm not sure if adapting a foreign language screenplay (Infernal Affairs) into an English language screenplay is all that much "adapting" compared to adapting a complex novel. It bugged me a few years ago that Cameron Crowe (who I'm a big fan of, generally) took a writing credit on Vanilla Sky. I've seen the original, Open Your Eyes, and thought he should have taken a translation credit, not a writing one... I admit I haven't read the novel Little Children , (but would like to), but this was a very interesting film and I loved the way the screenwriter integrated some narration into it in a clever way. Children of Men and Notes on a Scandal were both excellent films as well, but I want Little Children to win. (It won't though. Too dark. Didn't make enough money.)

While I'm talking about Little Children, it would be amazing if Jackie Earle Haley won for best supporting actor. A creepy performance to be sure. But amazing. It was driving me nuts while I was watching this movie, trying to figure out where I'd seen him before. Turns out he hasn't worked for a while. The two films I remember him in were the original Bad News Bears, 1978, where he played the love interest for Tatum O'Neil and then in Breaking Away, 1979. If you haven't ever seen Breaking Away, rent it. It's worth it to see a very young Dennis Quaid, in what I believe was his first film performance. But a great film in other ways, too.
The original screenplay nominations are: “Babel” Written by Guillermo Arriaga; “Letters from Iwo Jima”, Screenplay by Iris Yamashita, Story by Iris Yamashita & Paul Haggis; “Little Miss Sunshine” Written by Michael Arndt; “Pan’s Labyrinth” Written by Guillermo del Toro; “The Queen” Written by Peter Morgan.
I would be happy if any one of Babel, Little Miss Sunshine or Pan's Labyrinth win this category. I think Little Miss Sunshine deserves recognition because it seemed so tightly written to me -- particularly for a comedy where often scenes are added just to be funny, but don't advance the story. I want to see it again to study it more, to think about it rather than just enjoying it... But the other two were more complex and also amazing, so I'm torn... I'll be ticked if either The Queen, or Letters from Iwo Jima wins...
Okay, I promise to stop talking about the Oscars for a while.
First, in the best foreign language film category, I would be remiss as a Canadian (and an avid movie-goer) if I didn't mention the film Water, by Deepa Mehta.
Ms. Mehta had a lot of trouble making this film. She was kicked out of India (where it was filmed) more than once, I think, and picketed a number of times because of its controversial subject -- the treatment of widows in the Hindu culture. The movie is set in the 1930's -- which is not that long ago -- and I think this is a film every woman should see. But while its subject is serious and sad, the film isn't all darkness and depression. It really has a lot of hope and humor, too. (and even a little romance.)
I was super annoyed last year at whomever it is in Canada who picks which film to put forward for the Academy Awards. (It's my understanding that each country can make one official entry to this category.) Last year, Canada put forward the French language film, C.R.A.Z.Y -- which didn't get a nomination and I was angry that Water hadn't been put forward in its place. (Don't get me wrong, C.R.A.Z.Y. is a good film, too. I saw both at the 2005 TIFF, but Water is better.) What I didn't understand is that Water wasn't released in the US until 2006, so couldn't be put forward last year. Phew. At least it was put forward, now, and got the nomination it deserves. With the other great films in this category, I doubt Water will win... But at least it's getting some well-deserved recognition.
Because I'm a writer, albeit not a screenwriter, I should also talk a bit about the writing awards. (Always listed at the very bottom of the nominations.... like the writers don't really matter. What's up with that???)
“Borat Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” is up for best adapted screenplay. Huh? I loved this movie, but don't get this nomination, at all. To me, it's like nominating Survivor for best writing at the Emmys. Sasha Baron Cohen is clever... but really, how much of this film was "written" other than his stand up-ish stuff. Doesn't seem right to me.
Of the other films in this category: “Children of Men”, “The Departed”, "Little Children”, “Notes on a Scandal”.... I'd have to go with Little Children. I know I'm not a screenwriter, but I'm not sure if adapting a foreign language screenplay (Infernal Affairs) into an English language screenplay is all that much "adapting" compared to adapting a complex novel. It bugged me a few years ago that Cameron Crowe (who I'm a big fan of, generally) took a writing credit on Vanilla Sky. I've seen the original, Open Your Eyes, and thought he should have taken a translation credit, not a writing one... I admit I haven't read the novel Little Children , (but would like to), but this was a very interesting film and I loved the way the screenwriter integrated some narration into it in a clever way. Children of Men and Notes on a Scandal were both excellent films as well, but I want Little Children to win. (It won't though. Too dark. Didn't make enough money.)

While I'm talking about Little Children, it would be amazing if Jackie Earle Haley won for best supporting actor. A creepy performance to be sure. But amazing. It was driving me nuts while I was watching this movie, trying to figure out where I'd seen him before. Turns out he hasn't worked for a while. The two films I remember him in were the original Bad News Bears, 1978, where he played the love interest for Tatum O'Neil and then in Breaking Away, 1979. If you haven't ever seen Breaking Away, rent it. It's worth it to see a very young Dennis Quaid, in what I believe was his first film performance. But a great film in other ways, too.
The original screenplay nominations are: “Babel” Written by Guillermo Arriaga; “Letters from Iwo Jima”, Screenplay by Iris Yamashita, Story by Iris Yamashita & Paul Haggis; “Little Miss Sunshine” Written by Michael Arndt; “Pan’s Labyrinth” Written by Guillermo del Toro; “The Queen” Written by Peter Morgan.
I would be happy if any one of Babel, Little Miss Sunshine or Pan's Labyrinth win this category. I think Little Miss Sunshine deserves recognition because it seemed so tightly written to me -- particularly for a comedy where often scenes are added just to be funny, but don't advance the story. I want to see it again to study it more, to think about it rather than just enjoying it... But the other two were more complex and also amazing, so I'm torn... I'll be ticked if either The Queen, or Letters from Iwo Jima wins...
Okay, I promise to stop talking about the Oscars for a while.
Oscars -- Best Picture Nominations
Here's my take on the nominations for "Best motion picture of the year", all of which I've actually seen...
“Babel”

Loved this film. Have already talked about it a few times... It's a fairly depressing, but I think realistic, look at the world today. How not listening and jumping to conclusions can lead to tragedy. This director, Alejandro González Iñárrituis, is amazingly talented, as is the writer, Guillermo Arriaga. This writing/directing pair also did 21 Grams, which if you haven't seen, you should. Rent it. Tonight.

Loved this film, too. Interestingly though... although Leonardo DiCaprio and Mark Wahlberg have been getting all the awards attention re: this movie... It was Matt Damon who blew me away in this film. Okay, they were all good, I just thought Matt was super interesting and unexpected. One of the most charming bad guys I've seen on film and (I'm quoting Molly) you could see his ulcer's growing through changes in his smile.
I actually saw this film. I'm not big on war movies, so the idea of sitting through a war movie in Japanese with subtitles was daunting... But I did enjoy it. Don't think I'd pick it for a best picture nomination, though. It was certainly an interesting history lesson -- I hope at least some of it accurate -- regarding that battle from the Japanese side, but the whole story structure etc. just seemed a little too pat to me, a little too easy. (and it got nominated for writing, too???? Maybe the Academy just authomatically nominates anything Paul Haggis worked on, now?)
“Little Miss Sunshine”

Again, really, really enjoyed this film, (more than some people I know... Molly?) but not sure it deserves a best picture nomination. Helen Mirren's performance was fantastic -- she'll surely win best actress -- but the film as a whole wasn't that exciting or interesting to me. Films like Volver, or Pan's Labyrinth or Notes on a Scandal or I'm sure there are others... (this is just off the top of my head) seem so much more deserving to me.
“Babel”

Loved this film. Have already talked about it a few times... It's a fairly depressing, but I think realistic, look at the world today. How not listening and jumping to conclusions can lead to tragedy. This director, Alejandro González Iñárrituis, is amazingly talented, as is the writer, Guillermo Arriaga. This writing/directing pair also did 21 Grams, which if you haven't seen, you should. Rent it. Tonight.
I need to post a photo of Alejandro, too. Just 'cause he's so damn cute. That should count for something. (He'd get my vote for best director, based on his looks, alone.)

“The Departed”
Loved this film, too. Interestingly though... although Leonardo DiCaprio and Mark Wahlberg have been getting all the awards attention re: this movie... It was Matt Damon who blew me away in this film. Okay, they were all good, I just thought Matt was super interesting and unexpected. One of the most charming bad guys I've seen on film and (I'm quoting Molly) you could see his ulcer's growing through changes in his smile.
I need to see Infernal Affairs -- the movie this was based on... (Back on the Matt topic. He really had a good/interesting year. The Good Shepherd was not a perfect movie, but his performance was perfect and so different from other roles I've seen him play. Why are all these award granters ignoring him? His buddy Ben even got nominated for a Golden Globe.)
“Letters from Iwo Jima”
“Letters from Iwo Jima”
I actually saw this film. I'm not big on war movies, so the idea of sitting through a war movie in Japanese with subtitles was daunting... But I did enjoy it. Don't think I'd pick it for a best picture nomination, though. It was certainly an interesting history lesson -- I hope at least some of it accurate -- regarding that battle from the Japanese side, but the whole story structure etc. just seemed a little too pat to me, a little too easy. (and it got nominated for writing, too???? Maybe the Academy just authomatically nominates anything Paul Haggis worked on, now?)
“Little Miss Sunshine”
Loved this movie and LOVE, LOVE, LOVE that it got this nomination. I'm actually hoping this one will win. Not because I necessarily think it's better than some of the others -- just that it would be so much fun to see it win over those other more serious, more likely to win, films. I do love an underdog. This is already out on DVD. Rent it. (It will be a nice emotional break after 21 Grams which is pretty heavy.)
“The Queen”
“The Queen”

Again, really, really enjoyed this film, (more than some people I know... Molly?) but not sure it deserves a best picture nomination. Helen Mirren's performance was fantastic -- she'll surely win best actress -- but the film as a whole wasn't that exciting or interesting to me. Films like Volver, or Pan's Labyrinth or Notes on a Scandal or I'm sure there are others... (this is just off the top of my head) seem so much more deserving to me.
Monday, January 22, 2007
Thursday, January 18, 2007
Which piece of wisdom to believe?
We've been talking about what kind of writer we want to be over on DWT... and I realized the real answer for me, many days, is simply PUBLISHED. I want to be the published kind. The kind who can tell her friends where to buy her books. The kind who actually gets paid (even if it's only a pittance compared to the effort expended). But my urgency some days is admittedly wrapped up in wanting better answers for my family and friends, when they ask, "How's the writing going?" with increasing trepidation and pity in their eyes. I'm a proud person. I hate that.
In the publishing world, it's sometimes hard to sort out the "truth" amongst the many myths and slices of wisdom and rules and archaic business practices... And two conflicting "pieces of wisdom" I've been thinking about a lot lately are these:
1. If a book is good enough, it will find a home.
2. Even really great books don't get published and not all books published deserve to be.
Somehow, I've managed to exist believing both of these things, even though, they contradict each other on the surface. One of the writing instructors I had when I started writing novels, told me that it takes Talent, Persistence and Luck to get published. (I've also seen this listed as Talent, Timing and Tenacity... but you get the idea.) But my instructor said that, in his opinion, 2 of the 3 is enough.
This, to me, explains the really great books not finding homes (talent, but either no luck or no persistence) and the mediocre or even crappy books getting published (no talent, but luck and persistence combining.)
I, and a few other writing friends, have recently suffered a few disappointing setbacks... situations where it looked like good things were about to happen and then they didn't. At times like those, it's so easy to assume we suck. That our writing just isn't good enough. If it was, our books would find homes, right? We've been persistent, after all! But I'm still fighting not to get trapped by that self-doubt, however strong it may pull some days. My books, some day, will find a home.
That said, I'm also still fighting to not start house-hunting for my book in neighborhoods I don't think it belongs in. (That sounded snobby or like I'm pro-segregation.) But, my point is that there are lots of neighborhoods for people to live in, many kinds of houses. Some people want a big yard in the suburbs, some people want to walk to work -- and similarily, there are lots of publishing neighborhoods. I think I know which one I want my books to live in, which one would best serve the books, my career aspirations, etc. and I don't see the point in setting up home, taking the time to decorate etc., in the wrong location, just so I can say I'm published. (Although I concede I may find myself eating these words some day. Perhaps soon.)
Jenny Crusie, in her great inaugural PRO-retreat keynote a few years ago, likened getting your first publishing contract (or, if you're already published, a book really taking off) to getting struck by lightning. As much as I hate this idea, (too much given over to luck, with super-low odds) it's also what I live by.
I just need to keep putting more lightning rods out there.
In the publishing world, it's sometimes hard to sort out the "truth" amongst the many myths and slices of wisdom and rules and archaic business practices... And two conflicting "pieces of wisdom" I've been thinking about a lot lately are these:
1. If a book is good enough, it will find a home.
2. Even really great books don't get published and not all books published deserve to be.
Somehow, I've managed to exist believing both of these things, even though, they contradict each other on the surface. One of the writing instructors I had when I started writing novels, told me that it takes Talent, Persistence and Luck to get published. (I've also seen this listed as Talent, Timing and Tenacity... but you get the idea.) But my instructor said that, in his opinion, 2 of the 3 is enough.
This, to me, explains the really great books not finding homes (talent, but either no luck or no persistence) and the mediocre or even crappy books getting published (no talent, but luck and persistence combining.)
I, and a few other writing friends, have recently suffered a few disappointing setbacks... situations where it looked like good things were about to happen and then they didn't. At times like those, it's so easy to assume we suck. That our writing just isn't good enough. If it was, our books would find homes, right? We've been persistent, after all! But I'm still fighting not to get trapped by that self-doubt, however strong it may pull some days. My books, some day, will find a home.
That said, I'm also still fighting to not start house-hunting for my book in neighborhoods I don't think it belongs in. (That sounded snobby or like I'm pro-segregation.) But, my point is that there are lots of neighborhoods for people to live in, many kinds of houses. Some people want a big yard in the suburbs, some people want to walk to work -- and similarily, there are lots of publishing neighborhoods. I think I know which one I want my books to live in, which one would best serve the books, my career aspirations, etc. and I don't see the point in setting up home, taking the time to decorate etc., in the wrong location, just so I can say I'm published. (Although I concede I may find myself eating these words some day. Perhaps soon.)
Jenny Crusie, in her great inaugural PRO-retreat keynote a few years ago, likened getting your first publishing contract (or, if you're already published, a book really taking off) to getting struck by lightning. As much as I hate this idea, (too much given over to luck, with super-low odds) it's also what I live by.
I just need to keep putting more lightning rods out there.
Wednesday, January 17, 2007
Lead or supporting???
Does anyone know how actors end up in lead or supporting actor categories for award shows?
I mean, why were Brad Pitt and Cate Blanchett in the lead category for Babel where Adriana Barraza was in supporting? She certainly had a bigger and more pivotal part than Cate, anyway, who spent 90% of the movie practically unconscious.
I'm glad that it gave Jennifer Hudson better chance to win, (since she didn't have to go up against Helen Mirren) but she was definitely the lead of Dreamgirls -- which I finally saw tonight.
She was a revelation. I'd heard she was good, but she actually made me cry. And I don't get how anyone could say Effie isn't the protagonist of that movie. How does that put her in a supporting role category?
Monday, January 15, 2007
Decisions, decisions
Okay, what evil-powers-that-be put the Golden Globe awards on the same night as the second part of the premiere of 24? Evil. Evil! (Shakes fist at the heavens.)
And the second episode of "Little Mosque on the Prairie" is airing in Canada tonight, too... And I thought the pilot episode was pretty funny--by Canadian sit-com standards, anyway.
How come, after 6 or so weeks of NOTHING on TV (during which I was able to discover Nip/Tuck and Battlestar Galactica on DVD) is everything I want to watch on on one night? (Oh, and BSG is on tonight, too... but I'm still a couple of seasons behind there.)
Thank goodness for "time shifting". I won't be able to catch all 3, but should be able to see both the GG's and 24 -- if I stay up really late watching one on the Vancouver station, thus breaking one of my new years resolutions about watching TV past midnight.
Sigh.
(But I love the Golden Globes... drunken acceptance speaches... fabulous!)
And the second episode of "Little Mosque on the Prairie" is airing in Canada tonight, too... And I thought the pilot episode was pretty funny--by Canadian sit-com standards, anyway.
How come, after 6 or so weeks of NOTHING on TV (during which I was able to discover Nip/Tuck and Battlestar Galactica on DVD) is everything I want to watch on on one night? (Oh, and BSG is on tonight, too... but I'm still a couple of seasons behind there.)
Thank goodness for "time shifting". I won't be able to catch all 3, but should be able to see both the GG's and 24 -- if I stay up really late watching one on the Vancouver station, thus breaking one of my new years resolutions about watching TV past midnight.
Sigh.
(But I love the Golden Globes... drunken acceptance speaches... fabulous!)
Friday, January 12, 2007
Grey's Anatomy
Okay, so I waxed poetic (I wish) on the first season of Grey's Anatomy on the DWT talk blog... but suddenly want to add something more current on the topic.
I've read criticisms on other blogs etc. of Izzie's character. "How can we sympathize with a character who's beautiful, smart and then inherits 8 million dollars from a man she was barely engaged to?"
I beg to differ....
Is someone immune from pain because she's pretty? Because she has money?
I find her character one of the most interesting ones on that show. (Okay, Christine is hands down the most interesting character, but I also like Izzie... and George....)
Izzie's total white trash. Grew up poor. But because she was smart and pretty, (Yes, I concede it took both, but that, in itself, is interesting) she became a doctor.
Then she falls in love with a dying man. Dying man dies and turns out to have money he bequeaths to her.
Some say this makes things easy for Izzie. I think it adds to her difficulties/complexities. She doesn't NEED the money. She's conflicted by having it. She's full of guilt and sadness and feelings of not being worthy and getting by on her looks....
I LOVE this character.
Deeply complex.
I'm done....
I've read criticisms on other blogs etc. of Izzie's character. "How can we sympathize with a character who's beautiful, smart and then inherits 8 million dollars from a man she was barely engaged to?"
I beg to differ....
Is someone immune from pain because she's pretty? Because she has money?
I find her character one of the most interesting ones on that show. (Okay, Christine is hands down the most interesting character, but I also like Izzie... and George....)
Izzie's total white trash. Grew up poor. But because she was smart and pretty, (Yes, I concede it took both, but that, in itself, is interesting) she became a doctor.
Then she falls in love with a dying man. Dying man dies and turns out to have money he bequeaths to her.
Some say this makes things easy for Izzie. I think it adds to her difficulties/complexities. She doesn't NEED the money. She's conflicted by having it. She's full of guilt and sadness and feelings of not being worthy and getting by on her looks....
I LOVE this character.
Deeply complex.
I'm done....
Bad blogger
I've been such a blog slacker.... Sorry. Deep in revisions.
Interesting that Beckham has signed on with an LA soccer team, eh!
Fascinating. Smart.
Should open lot of opportunities for him in other areas of entertainment and may actually make soccer break through as a true professional sport in the US. (Although many thought Gretzky would do that for hockey in the US, and he really didn't...)
But Beckham is cuter....
Interesting that Beckham has signed on with an LA soccer team, eh!
Fascinating. Smart.
Should open lot of opportunities for him in other areas of entertainment and may actually make soccer break through as a true professional sport in the US. (Although many thought Gretzky would do that for hockey in the US, and he really didn't...)
But Beckham is cuter....
Sunday, January 07, 2007
Messiness is next to...?
Probably not godliness, but who cares?
I was inspired by a great article by Margaret Wente in Saturday's Globe & Mail. Inspired because she's a great columnist, sure. But also inspired by the positive boost to my self-esteem. (But obviously not inspired enough to think of an original idea of my own for this blog... My apologies, Ms. Wente.)
Confession: I am a messy person. (Stop laughing, Molly.) I always have been. Although I know where things are when I want them, generally, I live in what looks to organized people, as a state of chaos.
If you're one of those hyper-organized people, brace yourself. I'm about to post a photo of my desk. Well, part of my desk.

Are you still breathing?
I've heard some of the theories put forward in Ms. Wente's column before. That actually being too tidy, too organized is a huge waste of time and merely a procrastination technique for people so inclined. I've also taken solace in the idea that many creative and brilliant minds of the past were very messy/outwardly disorganized people. Albert Einstein said if a cluttered desk is an indication of a cluttered mind, what does an empty desk indictate. (Roughly paraphrased quote.)
On this I rest my case.
Did my proclivity for a cluttered desk help my image/reputation in the business world? (Can't. Stop. Laughing...)
But now I'm my own boss. It's working for me. Mostly. So I'm not about to change and am trying, really hard, not to beat myself up for it.
What about you? Messy or neatnik?
I was inspired by a great article by Margaret Wente in Saturday's Globe & Mail. Inspired because she's a great columnist, sure. But also inspired by the positive boost to my self-esteem. (But obviously not inspired enough to think of an original idea of my own for this blog... My apologies, Ms. Wente.)
Confession: I am a messy person. (Stop laughing, Molly.) I always have been. Although I know where things are when I want them, generally, I live in what looks to organized people, as a state of chaos.
If you're one of those hyper-organized people, brace yourself. I'm about to post a photo of my desk. Well, part of my desk.

Are you still breathing?
I've heard some of the theories put forward in Ms. Wente's column before. That actually being too tidy, too organized is a huge waste of time and merely a procrastination technique for people so inclined. I've also taken solace in the idea that many creative and brilliant minds of the past were very messy/outwardly disorganized people. Albert Einstein said if a cluttered desk is an indication of a cluttered mind, what does an empty desk indictate. (Roughly paraphrased quote.)
On this I rest my case.
Did my proclivity for a cluttered desk help my image/reputation in the business world? (Can't. Stop. Laughing...)
But now I'm my own boss. It's working for me. Mostly. So I'm not about to change and am trying, really hard, not to beat myself up for it.
What about you? Messy or neatnik?
Thursday, January 04, 2007
The things that make us tear up

The strangest things make me tear up. I do admit that I tend to be more emotional and sentimental than even my closest friends might realize... But I surprise even myself, sometimes.
Like this morning when I picked my paper off my front porch to see this photo with the headline: Le Nouveau Pierre Trudeau.
For you Americans who might not know... Pierre Trudeau was Prime Minster of Canada for, well, most of my childhood and into my early adulthood. (With a short, less than one year break in 1979-80, he was PM from April, 1968 to June, 1984.)
And if he were still alive, he'd now have a grandson named for him. Story here. Little Pierre is Pierre-Emmanuel, not Pierre Elliott, but they both have the initials PET, initials as well known to most Canadians as JFK are to Americans.
I try to avoid politics while blogging and while many Canadians west of Saskatchewan, and east of BC, (Okay, I'm singling out Albertans, sorry), will probably take exception to this, I think PET was a great Prime Minister. Sure, I do understand why some Canadians hold him responsible for much of the divisiveness in Canada, today, but I also think he's responsible for clarifying Canadian values, for helping us understand and be proud of who we are.
Multiculturalism, Bilingualism, Tolerance, the idea that the state has no place in the bedroom, our Charter of Rights, our constitution, our relationship to the US, (to roughly quote him: sleeping next to an elephant, you're bound to get the occasional kick). Although some major Canadian defining policies (our international role as Peace-keepers and diplomats, universal health care) were enacted before he took office, these programs grew up and took root during the Trudeau years. PET took office the year after Canada turned 100 and I daresay our place in the world was largely defined during his tenure as PM.
So, seeing little Pierre today made me cry a little. (Big softie. Get to work.)
Tuesday, January 02, 2007
What Happened to Winter?

The superstitious part of me thinks this post is a mistake. That a cold front will descend the instant I push the "Publish" button.
But it's freakin' balmy in Toronto this winter.
Okay, those of you in the south or on the coast have different definitions of balmy... But it was 10 C in Toronto yesterday. New Year's Day! That's 50 F for you 'mercans. That kind of weather is typical here in October or April, not January.
The average daily maximum for this time of year is about -1 or -2 (29 or 30F) and we often get a week in the -20's around this time of year. I'm still wearing my fall jacket. I've been sleeping with my window open a crack. It's crazy.
We do often get a "warm snap" in Dec or Jan when the temperature pushes above the freezing point and all the snow melts to a slushy mess, but the strange thing this year is that there hasn't really been a cold snap. There hasn't been any snow. We did have a week back in late November where I broke out my winter jacket, but I haven't even looked for my boots yet.
I've heard economists say that global warming is good for my home and native land... That everyone in Texas and Arizona will be baking and wanting to move north. That the wheat fields in Kansas will become desert, while more and more (now permafrosted) land in Canada's north will become fertile and more desirably habitable... And we do have something like 2/3 of the world's fresh water in Canada...
Don't know about all that. All I know is I'm going to enjoy this warm weather while it lasts!
Friday, December 22, 2006
Rocky XXXXX
Am I the only one, or is the premise for the new Rocky movie totally dumb and fatally flawed? Okay, I concede I have not seen the movie and am only basing this opinion on the trailer...
So, based on the trailer, this seems to be the premise: There's a computer simulation that pits boxers from different time periods against each other. Problem one. It's a computer simulation. That anyone would assume anything from that is just dumb.
Okay, we'll let that go and continue. Computer simulation Rocky, from the 70's, wins the boxing match against the current champ. Okay, fine. But based on this, 30-years-older Rocky decides to take on the champ he "beat" in the simulation. Big problem two. Does he not realize the simulation was him in the 70's??? When he was already over the hill as a boxer in his 30's???? The simulation didn't age him 60 years, does it? And if it did, how could it? I would love to have heard the discussion at the studio where someone decided this was a good idea.
I know the whole Rocky franchise is about the underdog beating unbelievable odds, but this premise is just about the dumbest thing I've ever heard.
And really, does the world need another Rocky movie??? (Did we need more than one in the first place?)
So, based on the trailer, this seems to be the premise: There's a computer simulation that pits boxers from different time periods against each other. Problem one. It's a computer simulation. That anyone would assume anything from that is just dumb.
Okay, we'll let that go and continue. Computer simulation Rocky, from the 70's, wins the boxing match against the current champ. Okay, fine. But based on this, 30-years-older Rocky decides to take on the champ he "beat" in the simulation. Big problem two. Does he not realize the simulation was him in the 70's??? When he was already over the hill as a boxer in his 30's???? The simulation didn't age him 60 years, does it? And if it did, how could it? I would love to have heard the discussion at the studio where someone decided this was a good idea.
I know the whole Rocky franchise is about the underdog beating unbelievable odds, but this premise is just about the dumbest thing I've ever heard.
And really, does the world need another Rocky movie??? (Did we need more than one in the first place?)
Wednesday, December 20, 2006
American Title III
Kim Howe has made it to the next round!
Vote for her by sending an e-mail to webmaster@romantictimes.com with One Shot, Two Kills in the subject line. Vote from every e-mail address you have. Tell your friends!
For more info about the contest visit http://www.romantictimes.com/news_amtitle.php
For more info on Kim visit: http://www.kjhowe.com/
Good luck Kim!!
Vote for her by sending an e-mail to webmaster@romantictimes.com with One Shot, Two Kills in the subject line. Vote from every e-mail address you have. Tell your friends!
For more info about the contest visit http://www.romantictimes.com/news_amtitle.php
For more info on Kim visit: http://www.kjhowe.com/
Good luck Kim!!
Sunday, December 17, 2006
Golden Globes... Comedies and Foreign Language
More Golden Globes talk....
First the comedy/musicals:
I haven't seen DREAMGIRLS, yet, so I can't comment on that... But I have seen the other four nominated films and if LITTLE MISS SUNSHINE doesn't win this category, there is no justice in the world. (Although I expect DREAMGIRLS will win and I guess it's not fair of me to claim this is wrong, since I haven't seen it. But I do think it will win and probably not because it's better. It's been well reviewed, there's Oscar buzz and it has big stars... Therefore, will probably win.)
But LITTLE MISS SUNSHINE! I think this just came out on DVD and I want to see it again. It was a fabulous movie. The characters were amazing and not predictable and there's not one minute of wasted time or dialogue in this film... (I'd like to watch again to test this assertion...) But no wasted scenes or lines is a big deal in comedies, where so often there are portions there just to be funny, that don't really serve the story... Not in this movie. But I'd call it a "dramedy" not a comedy... Great movie.
THANK YOU FOR SMOKING is largely funny because of the amazing premise and good performances. But I found that most of the funny stuff was shown in the trailer and the story wasn't that riveting and overall I was a little underwhelmed. I probably just went in with overly high expectations... I wish I'd seen it when it had its world premiere at the 2005 Toronto Film Festival. By the time it was released to theatres, it had made the festival circuit, showing at Sundance, too, and there was way too much hype around it. However, if you haven't seen it -- especially if you haven't seen the trailer -- rent it. There are some unbelievable lines/ideas in this movie. And it has one of the best premises I've seen in ages... A story where the protagonist is a lobbiest for the tobacco industry. Too funny. Amazing satire.
BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN
I've talked about a couple of times... I really did think this movie had moments of uncomfortable brilliance and Sasha Baron Cohen is amazingly adept at turning a light onto ugly things about western society in a very unorthadox way (no pun intended) (well, maybe a little bit intended).
THE DEVIL WEARS PRADA
Really? I mean Meryl Streep was fabulous in that role, but really?
DREAMGIRLS
Will let you know, if I get a chance to see it...
And the foreign films... I've only seen two of these... But want to comment anyway, 'cause I can't stop myself and the two that I saw were AMAZING!!!
VOLVER (Spain)
Go see this movie. Right now. Even if you think you hate subtitles. Go. Even if you've seen a Pedro Almadovar movie before, and you think he's too weird. Go. Trust me.
This was his most accessible Almadovar movie I've seen (no porn stars getting kidnapped and seduced, no transvestites, no major religious controversies)... Don't get me wrong. I love Almadovar's movies... and you've got to love a director who introduced the world to not only Penelope Cruz (who's great in this, as she was in his other film ALL ABOUT MY MOTHER -- another film that's really worth renting...) but also Antonio Banderas in TIE ME UP, TIE ME DOWN. If you haven't seen either of these actors work in their native tongue, you're missing something...
PAN'S LABYRINTH (Mexico) I saw at the film festival this year and although it's not my kind of movie, per se, the buzz was so great I picked it. And I was blown away. It's a fairy tale and the protagonist is a little girl... but don't let that fool you into thinking it's a movie for children or simplistic in any way. Very dark. Very creepy. Very good.
THE LIVES OF OTHERS (Germany) I haven't seen this. (Don't know if it's been released to theatres here, yet... Maybe now it will be.) But I've heard from others that it's amazing. I know it screened at the Vancouver Film Festival but not in Toronto... Too bad. Can't wait to see it.
LETTERS FROM IWO JIMA (USA/JAPAN) I'm actually looking forward to seeing this, but I didn't see the first one... FLAGS OF OUR FATHER. I kinda hope they'll rerelease it along with this one so I can see them both on the big screen... A double feature would be great. Clint Eastwood understands storytelling, so I have high expectations for these films and like the idea he's showing the history from both the US and Japanese perspectives. Great idea.
APOCALYPTO (USA) I don't think I'll see this movie. Partly because of the whole Mel Gibson thing and partly because, while I can take a lot of violence in movies if it's in context and important, somehow I can't take the violence in Mel's movies. I found BRAVEHEART horrible to watch and most of the violence completely gratutitous, and don't even get me started on his Christian snuff porno. Why did I go see that???? Okay, I felt like I had to out of curiousity and to judge whether all the anti-semetic accusations etc. were justified... But I'm done with Mel Gibson as a director, unless he does something that isn't 95% graphic violence -- which is what I've heard about Apocalypto.
Impt note: I'm not a rabid anit-violence in the movies person. I love Quentin Tarantino's films. Pan's Labryrinth has some graphic violence... but it's not the whole freakin' movie and it fits the story and adds impact when it's there. It's Mel's 20 minute battle scenes with nothing but gore (or the 70 minute shredding of someone's body in the Passion) that I take exception to. No one needs to see that kind of violence.
First the comedy/musicals:
I haven't seen DREAMGIRLS, yet, so I can't comment on that... But I have seen the other four nominated films and if LITTLE MISS SUNSHINE doesn't win this category, there is no justice in the world. (Although I expect DREAMGIRLS will win and I guess it's not fair of me to claim this is wrong, since I haven't seen it. But I do think it will win and probably not because it's better. It's been well reviewed, there's Oscar buzz and it has big stars... Therefore, will probably win.)
But LITTLE MISS SUNSHINE! I think this just came out on DVD and I want to see it again. It was a fabulous movie. The characters were amazing and not predictable and there's not one minute of wasted time or dialogue in this film... (I'd like to watch again to test this assertion...) But no wasted scenes or lines is a big deal in comedies, where so often there are portions there just to be funny, that don't really serve the story... Not in this movie. But I'd call it a "dramedy" not a comedy... Great movie.
THANK YOU FOR SMOKING is largely funny because of the amazing premise and good performances. But I found that most of the funny stuff was shown in the trailer and the story wasn't that riveting and overall I was a little underwhelmed. I probably just went in with overly high expectations... I wish I'd seen it when it had its world premiere at the 2005 Toronto Film Festival. By the time it was released to theatres, it had made the festival circuit, showing at Sundance, too, and there was way too much hype around it. However, if you haven't seen it -- especially if you haven't seen the trailer -- rent it. There are some unbelievable lines/ideas in this movie. And it has one of the best premises I've seen in ages... A story where the protagonist is a lobbiest for the tobacco industry. Too funny. Amazing satire.
BORAT: CULTURAL LEARNINGS OF AMERICA FOR MAKE BENEFIT GLORIOUS NATION OF KAZAKHSTAN
I've talked about a couple of times... I really did think this movie had moments of uncomfortable brilliance and Sasha Baron Cohen is amazingly adept at turning a light onto ugly things about western society in a very unorthadox way (no pun intended) (well, maybe a little bit intended).
THE DEVIL WEARS PRADA
Really? I mean Meryl Streep was fabulous in that role, but really?
DREAMGIRLS
Will let you know, if I get a chance to see it...
And the foreign films... I've only seen two of these... But want to comment anyway, 'cause I can't stop myself and the two that I saw were AMAZING!!!
VOLVER (Spain)
Go see this movie. Right now. Even if you think you hate subtitles. Go. Even if you've seen a Pedro Almadovar movie before, and you think he's too weird. Go. Trust me.
This was his most accessible Almadovar movie I've seen (no porn stars getting kidnapped and seduced, no transvestites, no major religious controversies)... Don't get me wrong. I love Almadovar's movies... and you've got to love a director who introduced the world to not only Penelope Cruz (who's great in this, as she was in his other film ALL ABOUT MY MOTHER -- another film that's really worth renting...) but also Antonio Banderas in TIE ME UP, TIE ME DOWN. If you haven't seen either of these actors work in their native tongue, you're missing something...
PAN'S LABYRINTH (Mexico) I saw at the film festival this year and although it's not my kind of movie, per se, the buzz was so great I picked it. And I was blown away. It's a fairy tale and the protagonist is a little girl... but don't let that fool you into thinking it's a movie for children or simplistic in any way. Very dark. Very creepy. Very good.
THE LIVES OF OTHERS (Germany) I haven't seen this. (Don't know if it's been released to theatres here, yet... Maybe now it will be.) But I've heard from others that it's amazing. I know it screened at the Vancouver Film Festival but not in Toronto... Too bad. Can't wait to see it.
LETTERS FROM IWO JIMA (USA/JAPAN) I'm actually looking forward to seeing this, but I didn't see the first one... FLAGS OF OUR FATHER. I kinda hope they'll rerelease it along with this one so I can see them both on the big screen... A double feature would be great. Clint Eastwood understands storytelling, so I have high expectations for these films and like the idea he's showing the history from both the US and Japanese perspectives. Great idea.
APOCALYPTO (USA) I don't think I'll see this movie. Partly because of the whole Mel Gibson thing and partly because, while I can take a lot of violence in movies if it's in context and important, somehow I can't take the violence in Mel's movies. I found BRAVEHEART horrible to watch and most of the violence completely gratutitous, and don't even get me started on his Christian snuff porno. Why did I go see that???? Okay, I felt like I had to out of curiousity and to judge whether all the anti-semetic accusations etc. were justified... But I'm done with Mel Gibson as a director, unless he does something that isn't 95% graphic violence -- which is what I've heard about Apocalypto.
Impt note: I'm not a rabid anit-violence in the movies person. I love Quentin Tarantino's films. Pan's Labryrinth has some graphic violence... but it's not the whole freakin' movie and it fits the story and adds impact when it's there. It's Mel's 20 minute battle scenes with nothing but gore (or the 70 minute shredding of someone's body in the Passion) that I take exception to. No one needs to see that kind of violence.
Friday, December 15, 2006
Penguins, Polar Bears and Spreading Ignorance
Every December that beverage company we all know, which herein will remain nameless (because I'm a little afraid of them), starts airing those stupid commercials with penguins and polar bears. Makes me a little crazy.
Okay, you can argue: Who cares if it's impossible (other than in a zoo) for penguins and polar bears to be in the same place? Who cares if polar bears only live in the far north of the northern hemisphere and penguins only live south of the equator? (Although penguins get way closer to the equator than polar bears ever do.) Who cares if the ads (which must be in the north, because it's december and it's dark) show lots of open water when that much open water is improbable for that time of year--even with global warming. Who cares?
Me. I think it does matter. (I also think it matters when words are spelled incorrectly, or poor grammar is used in materials targeted to children. But that's another topic.) So many people get all their information from television these days, and if they see penguins and polar bears together enough, they start to think it must be true. Just look how the Flintstones influenced fundamentalist Christians. LOL.
Proof of my theory that these ads are evil? I just read today that, "A new science textbook for school claims that polar bears eat penguins..." This was reported by Graeme Paton, in British newspaper, The Daily Telegraph. Peter Cotgreave, the chairman of the Campaign for Science and Engineering, is quoted in the article as saying, "....It reflects a loss of respect for science."
Yes, that's true. But I also think it proves that it does matter what you show in ads and movies. How influenced the average person can be by misinformation. (Hey, great fascists and dictators understood this. They called it propaganda. Arguably the good people at Fox News understand it, too, but I serioulsly digress.) Obviously the writers and editors of this text book (TEXT BOOK!!!) were influenced enough by images like those ads (that beverage company isn't the first offender, here) that they believed this was a fact.
Maybe (I hope) the people who created those ads knew the polar bear/penguin land they created was fanciful... but I fear far too many of the viewers who see it, including children, don't understand the fanciful part.
(But I totally buy that there are polar bears on the island in LOST. ;-)
Okay, you can argue: Who cares if it's impossible (other than in a zoo) for penguins and polar bears to be in the same place? Who cares if polar bears only live in the far north of the northern hemisphere and penguins only live south of the equator? (Although penguins get way closer to the equator than polar bears ever do.) Who cares if the ads (which must be in the north, because it's december and it's dark) show lots of open water when that much open water is improbable for that time of year--even with global warming. Who cares?
Me. I think it does matter. (I also think it matters when words are spelled incorrectly, or poor grammar is used in materials targeted to children. But that's another topic.) So many people get all their information from television these days, and if they see penguins and polar bears together enough, they start to think it must be true. Just look how the Flintstones influenced fundamentalist Christians. LOL.
Proof of my theory that these ads are evil? I just read today that, "A new science textbook for school claims that polar bears eat penguins..." This was reported by Graeme Paton, in British newspaper, The Daily Telegraph. Peter Cotgreave, the chairman of the Campaign for Science and Engineering, is quoted in the article as saying, "....It reflects a loss of respect for science."
Yes, that's true. But I also think it proves that it does matter what you show in ads and movies. How influenced the average person can be by misinformation. (Hey, great fascists and dictators understood this. They called it propaganda. Arguably the good people at Fox News understand it, too, but I serioulsly digress.) Obviously the writers and editors of this text book (TEXT BOOK!!!) were influenced enough by images like those ads (that beverage company isn't the first offender, here) that they believed this was a fact.
Maybe (I hope) the people who created those ads knew the polar bear/penguin land they created was fanciful... but I fear far too many of the viewers who see it, including children, don't understand the fanciful part.
(But I totally buy that there are polar bears on the island in LOST. ;-)
Golden Globe Noms are in
Okay, this is already old news for die hard movie buffs (from YESTERDAY) but I can't help giving my 2 cents about the Best Picture Nom's...
Today, the Dramas:
BABEL
BOBBY
THE DEPARTED
LITTLE CHILDREN
THE QUEEN
I loved two of these films (Babel and Little Children) I really liked the other three. I think I've listed the films below in the order I'd rank them...
BABEL is a little sad but totally engrossing. I've been planning working on a blog post comparing and contrasting the themes in Babel with another good film I saw at the festival this year, BREAKING AND ENTERING. But that film hasn't opened yet. (opens at Christmas?) Anyway, for me, Babel shows the worst of human nature and Breaking and Entering the best... I
talked about Babel on the Drunk Writer Talk blog a while ago, so won't do it again, here...
LITTLE CHILDREN really blew me away, too, and is another film I'd like to see again... There are so many layers to it... Some which I'm sure I didn't notice or get on first viewing... It explores suburban life, personal fullfillment over family obligations, settling, infidelity, child abuse (on both overt and more subtle levels), guilt, shame, prejudice, mob mentality...
I also think the film was just interesting as films go, using some devices like voice overs and other intrustions that I really thought worked and added humor to what could have been a very dark film. This film didn't get a very wide release, but maybe this nomination will help that. If it comes to your town, check it out. I also talked about this movie on Drunk Writer Talk...
THE DEPARTED. Okay, now I'm thinking about it again, I'd probably put it on my LOVED list along with BABEL and LITTLE CHILDREN, but I thought it deteriorated into almost comedy at the end... (So tragic it becomes comedy?) But maybe the "everyone's corrupt", "you can't trust anyone" message is encapsulated in the way this story ended. I think I'd like to see this film again... and to see the Chinese film it was based on, INFERNAL AFFAIRS. But both Leonardo di Caprio and Matt Damon blew me away in this movie. Molly likes to say you could see Damon's character's ulcers growing. I just thought he made an amazingly charming (and therefore diabolical) bad guy. (Although I already knew he could do this from THE TALENTED MR. RIPLEY... which I liked more than most people did... but I'm a big Patrica Highsmith fan. And I liked Damon's Ripley much better than other supposedly "better" actors who have played him, including John Malcovich... It's easy to believe Malcovich is evil and the point of Ripley is that he's a sociopath hidden in sheep's clothing. Cloying, engratiating, self-effacing sheep's clothing... Okay... how did this become a blog on Patrica Highsmith's wonderful character, Tom Ripley??
Back to the films...
Anyone who reads this blog or the Drunk Writer blog, knows I love multiple interconnected stories... but I think BOBBY suffered from not having strong enough story arcs for each of the individual stories in the film. Most were just character sketches...
I also think viewers of this movie need to know some of the historical facts in order for the movie to have any tension or forward drive... This, to me, makes it an imperfect movie -- though like I said, I did like it...(I knew the "important historical fact" going in, not because I remembered, if I ever even knew, but because someone had given me a spoiler, which I normally hate, but for this movie, I think it helped me enjoy the film.) The spoiler detail is that other people were shot the night Robert Kennedy was assassinated. If you know this... you watch the movie wondering which of the characters, Emilio Estevez (filmmaker) is introducing us to, will get shot. It adds some drama and tension in a film that doesn't have a whole bunch until the final 10 minutes, which are then nothing but tension and drama. I expect politics also affected this nomination... That is, the film's very politically relevant today with the US in another unpopular divisive war.
THE QUEEN was another film I liked but didn't love. I admit I have an odd soft spot for QEII. Maybe it's because when she was younger, I always thought she looked a bit like my mom... (Probably just the same hairstyle. My mom is prettier.) Or maybe I associate her with Christmas because our family used to always watch her on TV Christmas morning. Andrew is a few years older than I and Edward a few years younger and I think my sisters and I felt like we grew up with those boys, watching them (and their stodgy older brother Charles) appear with their mum in our living room every Christmas morning via the TV. But this movie really boils down to some amazing performances... I agree with the best actress nomination for Helen Mirren... (I also think the actor who played Tony Blair -- Micheal Sheen -- and maybe the guy who played Prince Charles should have been nominated... but I'm not sure about the movie getting nominated... But also not sure what I'd nominate in its place, so there you go...
Today, the Dramas:
BABEL
BOBBY
THE DEPARTED
LITTLE CHILDREN
THE QUEEN
I loved two of these films (Babel and Little Children) I really liked the other three. I think I've listed the films below in the order I'd rank them...
BABEL is a little sad but totally engrossing. I've been planning working on a blog post comparing and contrasting the themes in Babel with another good film I saw at the festival this year, BREAKING AND ENTERING. But that film hasn't opened yet. (opens at Christmas?) Anyway, for me, Babel shows the worst of human nature and Breaking and Entering the best... I
talked about Babel on the Drunk Writer Talk blog a while ago, so won't do it again, here...
LITTLE CHILDREN really blew me away, too, and is another film I'd like to see again... There are so many layers to it... Some which I'm sure I didn't notice or get on first viewing... It explores suburban life, personal fullfillment over family obligations, settling, infidelity, child abuse (on both overt and more subtle levels), guilt, shame, prejudice, mob mentality...
I also think the film was just interesting as films go, using some devices like voice overs and other intrustions that I really thought worked and added humor to what could have been a very dark film. This film didn't get a very wide release, but maybe this nomination will help that. If it comes to your town, check it out. I also talked about this movie on Drunk Writer Talk...
THE DEPARTED. Okay, now I'm thinking about it again, I'd probably put it on my LOVED list along with BABEL and LITTLE CHILDREN, but I thought it deteriorated into almost comedy at the end... (So tragic it becomes comedy?) But maybe the "everyone's corrupt", "you can't trust anyone" message is encapsulated in the way this story ended. I think I'd like to see this film again... and to see the Chinese film it was based on, INFERNAL AFFAIRS. But both Leonardo di Caprio and Matt Damon blew me away in this movie. Molly likes to say you could see Damon's character's ulcers growing. I just thought he made an amazingly charming (and therefore diabolical) bad guy. (Although I already knew he could do this from THE TALENTED MR. RIPLEY... which I liked more than most people did... but I'm a big Patrica Highsmith fan. And I liked Damon's Ripley much better than other supposedly "better" actors who have played him, including John Malcovich... It's easy to believe Malcovich is evil and the point of Ripley is that he's a sociopath hidden in sheep's clothing. Cloying, engratiating, self-effacing sheep's clothing... Okay... how did this become a blog on Patrica Highsmith's wonderful character, Tom Ripley??
Back to the films...
Anyone who reads this blog or the Drunk Writer blog, knows I love multiple interconnected stories... but I think BOBBY suffered from not having strong enough story arcs for each of the individual stories in the film. Most were just character sketches...
I also think viewers of this movie need to know some of the historical facts in order for the movie to have any tension or forward drive... This, to me, makes it an imperfect movie -- though like I said, I did like it...(I knew the "important historical fact" going in, not because I remembered, if I ever even knew, but because someone had given me a spoiler, which I normally hate, but for this movie, I think it helped me enjoy the film.) The spoiler detail is that other people were shot the night Robert Kennedy was assassinated. If you know this... you watch the movie wondering which of the characters, Emilio Estevez (filmmaker) is introducing us to, will get shot. It adds some drama and tension in a film that doesn't have a whole bunch until the final 10 minutes, which are then nothing but tension and drama. I expect politics also affected this nomination... That is, the film's very politically relevant today with the US in another unpopular divisive war.
THE QUEEN was another film I liked but didn't love. I admit I have an odd soft spot for QEII. Maybe it's because when she was younger, I always thought she looked a bit like my mom... (Probably just the same hairstyle. My mom is prettier.) Or maybe I associate her with Christmas because our family used to always watch her on TV Christmas morning. Andrew is a few years older than I and Edward a few years younger and I think my sisters and I felt like we grew up with those boys, watching them (and their stodgy older brother Charles) appear with their mum in our living room every Christmas morning via the TV. But this movie really boils down to some amazing performances... I agree with the best actress nomination for Helen Mirren... (I also think the actor who played Tony Blair -- Micheal Sheen -- and maybe the guy who played Prince Charles should have been nominated... but I'm not sure about the movie getting nominated... But also not sure what I'd nominate in its place, so there you go...
Thursday, December 14, 2006
Eavesdropping on Di

Okay, what possible reason could the US Secret Service have had for tapping Princess Diana's telephone? Hoping to get some good gossip? Maybe hear some royal celebrity phone sex? Perhaps an overweight agent was hoping to get some weight loss tips (because those "anna" web sites for anorexics/bulimics didn't exist yet)?
Seriously... I think they just tapped her phone because they were curious and they could. Makes you wonder if they often tap celebrities' phones for fun.
If you could listen in on someone's conversations and get away with it, whose would you listen to?
Tuesday, December 12, 2006
Snotty sleeves

One of the good manners lessons my mother taught me as a very young child was to cover my mouth when I sneezed or coughed and NEVER to wipe my nose on my sleeve. Only people who grew up in barns do that, apparently.
Well, the City of Toronto is trying to get us all to move into barns, with their "Do the Sleeve Sneeze" campaign. I guess the idea is that if you cough or sneeze onto your hands and then touch stuff, like the hand railings in the subway or whatever, everyone who touches where you touched will pick up your germs.
Maybe this makes sense... But gross! I wonder if we'll start to see lots of slimy looking coat sleeves this winter. I think I'd rather get the flu.
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